Tag: CULTURE

Perugia Underground – The Archaeological Area

admin CULTURE, PERUGIA , , ,
Vista dall'alto del muro di terrazzamento etrusco nella Perugia sotterranea. L'imponente muro, realizzato con grandi conci di travertino, è sormontato da una volta in mattoni.

Time Machine

The Archaeological Area, at the very core of the so-called Saint Lawrence “Island”, will give you the joy of a discovery trip throughout the centuries. Quite unknown to the local people themselves, these places are hidden inside the hill on which Perugia is built. By entering them, it will become clear how, starting from the Etruscans and via the Romans, then the Papal residence, the town acquired its current shape. Going from the cloister of the cathedral down into the archaeological area can be likened to a time machine that synchronizes its clock with ours more and more as we cross the centuries toward the surface.

Read more

Saint Peter’s Abbey

admin CULTURE, PERUGIA , , , ,
Saint Peter’s Abbey

Saint Peter’s Abbey in “Borgo Bello”

The way that starts from the Church of Saint Ercolano, and that in past times led directly to Rome, ends in Borgo Bello, the “Beautiful Suburb,” an area that developed thanks to the Benedictine abbey dedicated to Saint Peter.
As soon as you pass one of the monumental town gates, designed by Agostino di Duccio (1418 – ca 1481), you will notice the geometrical shape of Saint Peter’s belfry, with a sharp steeple that overlooks the low houses in the quarter. That belfry is one of Perugia’s symbols, along with the Etruscan Arch and the Great Fountain.
The complex currently includes – beside Saint Peter’s Church – the department of Agriculture of the Perugia University, and a Medieval-like botanical garden.

Read more

The Rocca Paolina – Perugia

admin CULTURE, PERUGIA , , , ,
Spiazzo interno della Rocca Paolina. Grazie alle luci di lampadari e lampadine è possibile muoversi nella città sotterranea.

The Intriguing Story of a Fortress

In Perugia’s old town center, at the southern end of Corso Vannucci (Main Street) there is an area with flowerbeds, benches, and fountains, where the Palace of Perugia’s Province and the equestrian monument to the first king of united Italy, Vittorio Emanuele II (1820-1878), also rise. This is where a group of buildings existed, called Rocca Paolina: a fortress built by decision of Pope Paul III in the mid-16th century.

Read more

The Palace of Priors

admin CULTURE, PERUGIA , , , ,
Vista frontale del Palazzo dei Priori.

A Town Symbol

The Palace of Priors is undoubtedly one of the most important buildings in Perugia, beside being a masterpiece in Gothic style. Its structure develops partly along Main Street (Corso Vannucci) in the old town center, and has its acme in the façade facing the main square, Piazza IV Novembre.
The square, one of the most beautiful in Italy, is marked by the strong polar opposition between the civil side of the town, precisely the Palace of Priors, and the religious side, i.e. the buildings in the so-called Saint Lawrence “Island,” in a Medieval atmosphere enlivened by the water springing from the Great Fountain.

Read more

A Fountain for an Aqueduct

admin CULTURE, PERUGIA , , ,
Vista della Fontana Maggiore dando le spalle alla cattedrale. Sullo sfondo la facciata di Palazzo dei Priori.

The Fontana Maggiore, a gem of Gothic sculpture

The Fontana Maggiore (Great Fountain) is the sculptural symbol of Perugia. It was built in 1278 to celebrate the completion of a long aqueduct that, by taking cleverly advantage of the principle of communicating vessels, could even conduct water uphill on Perugia’s hills. The fountain, surely among the oldest and most beautiful in Italy, is in fact considered a masterpiece of Gothic sculpture.

Read more

The Cathedral of Saint Lawrence

admin CULTURE, PERUGIA , , , ,
Vista dell'interno della Cattedrale di San Lorenzo con vista della Madonna delle Grazie sulla destra. La sinistra dell'immagine è occupata dalla navata centrale della chiesa che mostra le colonne e le volte affrescate.

A Cathedral to Welcome Them All

The current Cathedral of Saint Lawrence replaced an older church, a Romanesque church, that therefore must have been built in the 12th century. In March 1300, the Communal authorities in a plenary session – after ascertaining that the size of the Romanesque cathedral did no longer fit the needs of Perugia, then in a phase of expansion – decided to start a new building from zero: a bigger one, and in the same place as the older. The architect chosen for this new, important public enterprise was Fra (Brother) Bevignate, a Benedictine monk of the Order of Saint Sylvester. He was also entrusted with some of the most meaningful monuments of Medieval Umbria, such as the Great Fountain and the aqueduct in Perugia, and the Orvieto Cathedral

Read more

The Etruscan Arch, the Town Walls

admin CULTURE, PERUGIA , , ,
Vista scorciata da sinistra dell'Arco Etrusco. Il bianco della sua pietra si sposa con il verde dei pochi alberi vicini ad esso.

Perugia and Its Etruscan Walls

Perugia was one of the main Etruscan towns. Its external walls, dating back to the third century BC (with some older, fourth century parts), still witness the importance the town had acquired. The whole perimeter is some three kilometers (1.5 miles) long; many sections remain visible, while others have been incorporated within later buildings. The Etruscan walls follow the ups and downs of the soil. In the lower areas they fold inwards, so that the overall shape recalls a clover

Read more

Moro’s Tower, Palace of the Seven, People’s Palace

admin CULTURE, ORVIETO , , ,
Vista dal basso della cima di Torre del Moro al centro, ai lati i tetti dei palazzi di Orvieto.

The Tower
A Central Role in the Town

The Medieval tower is among the buildings that stand out in Orvieto’s skyline, together with the imposing Cathedral. The tower will remain conspicuous even if you walk in the town streets – it would be impossible not to note this building, some 50 meters (150 feet) high, which dominates all others not only because of its dimensions, but also because of its central role in the city planning. The tower is the very center, starting from which the four town quarters – Corsiva, Olmo, Serancia, Stella – are distinguished. With reference to this, its sides are oriented according to the cardinal points. Its position also makes it the Civil Tower. What does it mean? What makes it different from a belfry or a tower-house? Like all true civil towers, this has bells that marked the most important occasions in town life. Only in a later epoch did it begin to house a clock too.

Read more

The Well of Saint Patrick

admin CULTURE, ORVIETO , , , ,
Sguardo dall’alto verso il fondo del pozzo. Sulle mura si vedono alcune finestre mentre sul fondo il ponte in ferro sospeso sull’acqua.

Antonio da Sangallo, a Brilliant Engineer

On the edge of the Orvieto Cliff there is a small square in which only a cylindrical building exists, apparently quite anonymous. This structure, however, hides a “thing ingenious with fancy and wonderful with beauty” inside. This is how Giorgio Vasari (in the 1550 edition of his Lives of the Most Excellent Painters, Sculptors, and Architects) ends the description of this fascinating work of architecture and engineering: a well dug deep into the tuff.

Read more

Orvieto Underground

admin CULTURE, ORVIETO , , , ,
Vista leggermente scorciata di un cunicolo della Orvieto Sotterranea. Questo ha una forma pressoché circolare e lungo i lati si trovano le aperture di altri cunicoli che lo intercettano.

The Hollow below the Town

Orvieto lies on top of a huge rock of volcanic origin, made of tuff and pozzolana. Visitors cannot but be charmed by this plateau, called la Rupe (the Cliff), that rises and dominates the valley all around, with its woods and vines. Man did not only colonize this rocky habitat, and add all sorts of buildings, up to the cathedral and towers, but – in all epochs – also dig underground hollows. Tuff has been housing a town below the town for centuries. So, Orvieto can be also visited in the depths of its own ground, and can boast unique underground areas. Some 1,200 artificial underground hollows have been counted; they were dug from the Etruscan Era to the Renaissance, and still later on. Under the town streets, see tunnels and rooms of all kinds: culverts, wells, silos, columbaria (dovecotes), furnaces, Medieval dumps. So, a curious symbiosis can be sensed between the Orvieto people and the rock – human engineering talent, the needs of everyday life, and Nature here mix by making an alliance that still nowadays surprises us.

Read more

The Necropolis at “Crocifisso del Tufo”

admin CULTURE, ORVIETO , , , ,
Veduta di un tratto di percorso della Necropoli del Crocifisso. Il percorso è in terra battuta, di fronte una breve scalinata, ai lati le tombe in pietra.

When the Etruscans Founded Orvieto: From Sky down to Earth

A tour between earth and sky: this is how Orvieto can be visited and discovered because of both its geographic position (a town rising on top of a cliff, surrounded by a valley) and its history (from ancient Etruscans to nowadays). In Orvieto, in fact, tuff and human genius live indissolubly together since the era when the Etruscans founded it. But, who were the Etruscans? Even if their origin has still to be completely explained and many conjectures are made, they for sure were a people who existed in Central Italy between the ninth and the first centuries BC. Etruscans, basically, were skilled merchants in touch with the other civilizations of the Mediterranean Sea. The top expansion and power of their city-states took place between 800 and 600 BC, before they fell under Roman domination.Orvieto was among the last towns to be conquered by the Romans, namely when it was defeated in 264 BC.

Read more

The Albornoz Fortress in Orvieto

admin CULTURE, ORVIETO , , , ,
A sinistra è visibile il torrione della Fortezza Albornoz mentre il resto dell’immagine è occupato dalla vista dall’alto della città sottostante e delle campagne umbre.

From Freedom to Being Dominated

During the Middle Ages, Orvieto enjoyed a long period of welfare and independence as a “free Commune” – its rulers being autonomous from the Emperor, both politically and economically – in spite of the intestine clashes between the parties of Guelphs (who supported the Pope’s authority) and Ghibellines (who supported the Emperor). During the whole 13th century the town was a rich one, and organized itself through the basic communal institutions insofar as it was perfectly in a position to rule itself, control its own territory, and thrive.

Read more

Hiking on the Orvieto Cliff Ring

admin CULTURE, NATURE, ORVIETO , , , ,
Part of the path of the Orvieto Cliff Ring that runs along the tuff of the cliff.

Hiking on the Orvieto Cliff Ring
Introducing the Tour: The Cliff Ring

The town of Orvieto can answer very many kinds of interests: art, culture, food, ancient history, and even – Nature and sport! All these issues are linked and connected by the very structure of the town as it has been shaped during the centuries, rising on top of its tuff cliff (called la Rupe).

Read more

Saint Damian

admin ASSISI, CULTURE , , , , ,
Vista della stradina di arrivo alla chiesa di San Damiano. La strada eè fiancheggiata da siepi, sullo sfondo è visibile la struttura.

In the Assisi plain and among the olive trees of the countryside, there is a place much beloved with reference to the Franciscan origins: the Shrine of Saint Damian. Here silence and peace reign, wonderfully framing the view on Nature all around. We actually know little about the origin of this structure, possibly built among the seventh and ninth centuries; and little, too, about the reasons why the church was dedicated to Saint Damian, a medical doctor and martyr whose relics had been taken to Rome in the mid-fifth century. We can anyway say for sure that the history of this very small church, then kept by an old priest, started to be in the limelight in 1205, when one day a 24-year-older called Francis stopped here to pray

Read more

The Porziuncola and Saint Mary of the Angels

admin ASSISI, CULTURE , , , ,
Vista panoramica di Santa Maria degli Angeli. La struttura della chiesa, con il suo cupolone, si erge dalle campagne umbre e spicca dalla nebbia della piana in cui si trova.

Saint Francis of Assisi and the Porziuncola

The expanses below Assisi are among the most fascinating in Italy thanks to their colors and the view they afford on the town, which follows the contours of Mount Subasio in its white and rose stones. Precisely in this plain did blossom the life flowers of Saint Francis and Saint Clare. The young man, after restoring the Church of  Saint Damian, “moved to the place called Porziuncola, where an old church existed, dedicated to the Blessed Virgin, Mother of God, now abandoned and forgotten. Seeing it in such a poor state, and also because he had great devotion toward the Mother of all goodness, the Saint made it his own home, and would finish to repair it in the third year after his conversion.” This is how  Thomas of Celano, Francis’ first biographer, reports the Saint’s coming to this “small portion of land” (that is the meaning of Porziuncola) in the plain.
Right around that abandoned little church, possibly built in the fourth century and now given the Saint by the Benedictine monks, the first Franciscan company was founded, a bunch of enthusiastic friends. According to G. K. Chesterton, this became “the home of many homeless men.”

Read more