The celebration of the fifth centennial of Perugino’s death – the “divine painter”’s – has gotten into the thick of things by now. In Perugia,
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The Deposition from the Cross in the Church of St. Mary of the Servants, Città della Pieve
In 1517, Perugino was in Città della Pieve, where he painted the fresco of the Deposition from the Cross in the Church of St. Mary
A fresco depicting Saint Anthony the Abbot in the Church of the Saints Peter and Paul in Città della Pieve
A fresco depicting Saint Anthony the Abbot in the Church of the Saints Peter and Paul in Città della Pieve In Città della Pieve, in
The Altarpiece of Mary’s Assumption, a Perugino panel in Corciano
The Altarpiece of Mary’s Assumption, a Perugino panel in Corciano In the Church of the Assumption of Mary in Corciano, a small Medieval town in
“Saint Sebastian between the Saints Roch and Peter” in the Church of the Assumption of Mary, Cerqueto
“Saint Sebastian between the Saints Roch and Peter” in the Church of the Assumption of Mary, Cerqueto In 1478 Perugino frescoed the Chapel of Mary
“God the Father, and the Saints Roch and Roman”, a Perugino fresco in Deruta
“God the Father, and the Saints Roch and Roman”, a Perugino fresco in Deruta God the Father, and the Saints Roch and Roman is a
The “Virgin Mary and Christ Child” in the Church of the Annunciation in Fontignano: one of Perugino’s last works
The “Virgin Mary and Christ Child” in the Church of the Annunciation in Fontignano: one of Perugino’s last works In Fontignano, not far from Perugia,
The Martyrdom of Saint Sebastian: A fresco by Perugino in Panicale
The Martyrdom of Saint Sebastian: A fresco by Perugino in Panicale Perugino painted The Martyrdom of Saint Sebastian in 1505. The fresco is located inside
The “opistograph” altarpiece of Monteripido; i.e., Perugino’s two-faced painting in the National Gallery of Umbria
The “opistograph” altarpiece of Monteripido; i.e., Perugino’s two-faced painting in the National Gallery of Umbria The “Monteripido opistograph altarpiece” was painted by Perugino between 1502
The “Standard of Justice” in the National Gallery of Umbria
The “Standard of Justice” in the National Gallery of Umbria The Standard of Justice was painted by Perugino in 1496 or so, commissioned by the
“Virgin Mary in Glory, and Saints” in Saint Gervasio and Protasio´s Cathedral
“Virgin Mary in Glory, and Saints” in Saint Gervasio and Protasio´s Cathedral In 1507, the canons ( = community of priests) of the Cathedral in
Perugino´s “Our Lady of Graces” in Saint Lawrence´s Cathedral
Perugino´s “Our Lady of Graces” in Saint Lawrence´s Cathedral Our Lady of Graces in Saint Lawrence´s Cathedral, Perugia, belongs to Perugino´s wall paintings. It can
The “Baptism of Christ” in Saints Gervasio and Protasio’s Cathedral
The “Baptism of Christ” in Saints Gervasio and Protasio’s Cathedral The Baptism of Christ is a painting on panel existing in Saint John the Baptist’s
Tezi Altarpiece
From Perugino’s works in the National Gallery of Umbria The Tezi Altarpiece was painted by Perugino in the heyday of his career. It shows a
The Adoration of the Magi – National Gallery of Umbria
From Perugino’s masterpieces in the National Gallery of Umbria: The Adoration of the Magi The Adoration of the Magi (or Three Wise Men) is a
Annunciation, God in glory among angels, and Nativity
Annunciation, God in glory among angels, and Nativity in the Saint Francis Museum In the Church of Saint Francis in Montefalco, Umbria – now included
Lady of Graces
Our Lady of Graces in Saint Agnes’ Monastery In Perugia, in Saint Agnes’ Monastery, Perugino painted Our Lady of Graces with Saint Anthony Abbot (left)
The Adoration of the Magi
Perugino in the Santa Maria dei Bianchi Chapel In 1504 the Confraternita dei Bianchi, “White-Clad Brotherhood,” invited Perugino to work in Città della Pieve, where
Saffron – Umbria
An ancient spice Native to Asia Minor, saffron, or Crocus Sativus, is present in central Italy since the Middle Ages. With a thousand uses, either
The Bridge of Towers
The Bridge of Towers as Was Seen by Goethe
In September 1786, the great German poet, J. W. Goethe (1749 – 1832), left for a journey to the discovery of Italy, that would last nearly two years. This adventure, overfilled with beauty, would later inspire his Italian Journey. In the pages of that report, a memory of Goethe’s visit to the Bridge of Towers (Ponte delle Torri) in Spoleto is also included. He recalls, “I ascended to Spoleto, and reached the aqueduct, that is also used as a bridge to connect two mountains. Its ten arches, that cross the valley, are built in stone; they have been there for centuries, and carry water to every part of the town. This is the third monument of Antiquity I see; and, one more majestic one. The architecture of those times is almost like a second Nature, in accordance with civic needs. . .”
