Panicale is a small Umbrian town on the hills that surround Lake Trasimeno. Just nearby, few hundred of meters off the walls on the side with the Perugia Gate, rises a fourteenth-century building, the Church of Saint Sebastian, which in past centuries was annexed to a hospital for the plague victims. Inside the church an extraordinary fresco can be seen, dating back to Perugino’s mature phase: The Martyrdom of Saint Sebastian (1505). Panicale also, therefore, is among the places in Umbria where the “divine painter” left traces of his art.

On entering this small sacred building, viewers will feel almost overwhelmed by a painting fascinating like that, connoted by such a wide, deep, luminous scene. The contrast with the humble place’s semi-darkness is really strong.

Perugino set this episode in the saint’s life inside an architectural space of his own invention, that did not correspond to any building actually existing in Panicale: a square encircled by arches, beyond which a lake and hills can be made out. Yet, though in the absence of real geographic references, the colors, light, and atmosphere do recall the nearby lake panorama of Trasimeno.